
Kinnor
Pianos, electric pianos, organs and a deep synthesiser in one plug-in, with a Stage view that runs the service.
Bezalel Instruments presents
Kinnor is a keyboard instrument built for the way a worship team actually plays: a Stage that follows your set list, keys that feel like the real thing, and an ambient pad that is already in the right key before you touch it.
One synthesiser with a stage mode, one pad that plays by itself, and two effects we give away. They share the same engine, the same panel and the same idea: nothing should get in the way on a Sunday.

Pianos, electric pianos, organs and a deep synthesiser in one plug-in, with a Stage view that runs the service.

The same ambient pad as a small app of its own. Tap a key and it is there, under the band, through the prayer, into the next song.
Kinnor's delay and reverb as plug-ins for anything else on your rig. Free, with no licence key.
Most worship keys software is a folder of samples with a mixer on top. Kinnor is an instrument: every sound is generated or modelled live, every preset is editable, and the whole thing fits on a 1080p laptop next to your chord charts.
Stage, the Play page during a service.

Not a loop. A living pad, generated in the song's key, that plays by itself through readings and prayers and crossfades into the next song. Change key and the notes the two keys share stay where they are.
The two effects every worship keys patch leans on, taken out of Kinnor and built as plug-ins for the rest of your rig: the vocal bus, the acoustic guitar, the pad from your phone.


A dual modulated delay that stays in time. Dual or ping-pong, synced divisions with dotted and triplet feels, repeats that drift in pitch like tape, a ducking control so the echoes step back while you play, and a lo-fi mode when you want them to crumble.


Three rooms, tuned to stay clear on the source. Room for early reflections, Hall for the Sunday wash, and Cathedral: a long, slowly drifting space that lets a single sustained chord fill the building without smearing the melody over it.
No licence key, no email wall. VST3 for Windows today; the Audio Unit comes with the Mac release.
We named the workshop after the first craftsman the Bible calls Spirit-filled, and the instrument after the lyre David played. Both are a reminder of what the work is for.

When Israel built the tabernacle, God named one man to lead the work. Bezalel was not a priest or a prophet. He was a maker: gold, silver, bronze, stone, wood. The text says he was filled with the Spirit of God for the craft itself. That is the standard we hold the instruments to. The work of making a tool for worship is itself a kind of worship, and it should be done with that much care.
I have filled him with the Spirit of God, with wisdom, understanding, knowledge and every kind of skill, to design artistic work in gold, silver and bronze.
Exodus 31:3–4

The kinnor is the oldest named instrument in Scripture, the lyre Jubal's line first played, and the one David carried into Saul's house and into the psalms. It is a small, portable, hand-held instrument meant to be played with a voice, in a room, for a purpose. That is exactly the kind of instrument we wanted to build: one that lives on a laptop beside a keyboard, under a song, serving the people singing it.
Praise the Lord with the kinnor; make music to him on the ten-stringed harp.
Psalm 33:2
Bezalel Instruments is a small workshop. Kinnor began as an answer to the Sunday problem: too many libraries, too many clicks, too much gear, and not enough time between the last rehearsal and the first song. Every feature, from the pad that survives the panic button to the presets that never jump in volume, started as something that went wrong on a stage.


A studio has a second take. A service does not. These are the decisions that only make sense if you have played a Sunday morning.
All notes off, a preset change, a panic: the pad keeps playing. Only its own On button silences it. Its level follows the master fader, so one move brings everything down together.
Stage shows the set, the current part and Next. The whole synth is one key away, but nobody has to open it.
A full map for the Novation SL MkIII, MIDI Learn on everything else, and a remote for any tablet browser on the same Wi-Fi.
One licence key covers three computers, so the Sunday laptop, the rehearsal room and your own machine share it. A 14-day trial for each product first.
Sunday Keys is the best-known worship keys app, and a good one. Here is where Kinnor takes a different road.
| Kinnor | Sunday Keys | |
|---|---|---|
| What it is | A synthesiser and keys instrument. Every sound is generated or modelled live and every preset is editable, down to the oscillator. | A sample-library player with patches and a mixer. Sounds come from a 30 GB library that grows with updates. |
| Platform | Windows 10 and 11 as VST3, CLAP and Standalone. A 384 MB installer.Mac with Audio Unit follows the 2.0 release. | Mac and iPad app, plus MainStage and Ableton Live formats. No Windows version.Recommends 64 GB iPads for the library. |
| The pad | Generated live in any key. Follows the set list, keeps the shared notes on a key change, listens to your chords in Follow mode, and makes a pad from any Kinnor sound. | Tonic Pad Player: a drone pad in the key of your choice with built-in presets, new ones monthly with an active licence. |
| Running a service | Stage: services, songs with key and tempo, parts, Next and Previous, Feel knobs, and a pad strip, on one page. A tablet remote in any browser. | Setlists of patches with snapshot transitions. |
| Song-specific sounds | Build them yourself per song and part, with 582 level-matched presets to start from and a full synth to shape them. | A catalogue of over 250 song patches, included on the All-Access tier or bought with credits on Ultimate. |
| Hardware | A full control-surface layout for the Novation SL MkIII, MPE, MIDI Learn on every control, Scala and MTS-ESP tuning. | MIDI Learn with hardware and Bluetooth MIDI. |
| Licence | One key, three computers, with a 14-day trial for each product. Echo and Sanctuary are free with no key at all.Pricing is announced with the 2.0 release; the beta is free with a key. | An annual licence that auto-renews: $120, $200 or $360 a year as listed. Standard and Ultimate keep their sounds but lose Advanced Features without renewal. |
Sunday Keys details are taken from sundaysounds.com and its support pages as published in November 2026 and may change. Sunday Keys is a trademark of Sunday Sounds; Bezalel Instruments is not affiliated with it. VST is a registered trademark of Steinberg Media Technologies GmbH.
Every product starts with a 14-day trial key sent to your email. The effects need nothing at all.
The instrument: keys, synth, Stage, the pad and the effects. VST3, CLAP and Standalone.
Coming soonThe ambient pad on its own, for the laptop that only has to do one thing.
Coming soonKinnor Echo and Kinnor Sanctuary. Free, no key.
Coming soon